KASEKTEN
in development since 2021
Juliet Widyasari Burnett and Karina Utomo in KASEKTEN. Photo by Daniel Boud
Kasekten is a dance, live music and performance art work in collaboration with Javanese metal vocalist Karina Utomo and Australian visual artist Michaela Gleave. A ceremonial morphoses inside an art installation setting resembling a volcano crater, the work takes its structure from the Javanese understanding of the cyclical nature of time and seen and unseen worlds, to weave an arc in which powerful forces interplay, and embedded patriarchal histories are inverted to create a new future.
director & choreographer: Juliet Widyasari Burnett
composer: Karina Utomo
installation artist: Michaela Gleave
lighting designer: Jenny Hector
costume designer: Felicia Budi
costume supervisor: Aleisa Jelbart
producers: Michaela Coventry, Ratri Anindyajati
production manager: Alex Torney
performers: Juliet Widyasari Burnett, Karina Utomo
Juliet Widyasari Burnett in KASEKTEN. Photo by Daniel Boud
Karina Utomo in KASEKTEN. Photo by Daniel Boud
The development of Kasekten has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body; and the Regional Arts Development Fund, a partnership between the Queensland Government and the City of Gold Coast Council to support local arts and culture in regional Queensland.
We acknolwedge the Traditional Owners of the lands in which we worked, the Gamaragal People, and we pay our respects to their Elders past and present. Sovereignty has never been ceded.
MIASMA
in development since 2023
Zee Zunnur in MIASMA. Photo by Jorge Serra
Allie Graham in MIASMA. Photo by Jorge Serra
Allie Graham in MIASMA. Photo by Jorge Serra
A dance-theatre work. A fantastical dystopia.
We have finally killed everything, except three humans, but after the trauma they have forgotten how things once were. They attempt to build new life, with occasional lapses of memory informing a darkly magical iteration of life on Earth in the future.
director: Juliet Widyasari Burnett
choreographer: Juliet Widyasari Burnett with the dancers
composer: Dylan Sheridan
dancers: Allie Graham, Zee Zunnur
costume: Aleisa Jelbart
set: Emma White
Dylan Sheridan in MIASMA. Photo by Jorge Serra
Allie Graham in MIASMA. Photo by Jorge Serra
Allie Graham and Zee Zunnur in MIASMA. Photo by Jorge Serra
The development of Miasma is supported by HOTA and the Regional Arts Development Fund - a partnership between the Queensland Government and the City of Gold Coast Council to support local arts and culture in regional Queensland; and Experience Gold Coast, Australia.
We acknolwedge the Traditional Owners of the lands in which we worked, the Kombumerri families of the Yugambeh language region, and we pay our respects to their Elders past and present. Sovereignty has never been ceded.
RORO XENO
in development since 2024
A solo dance work with music by Kasimyn (Gabber Modus Operandi, Björk, Samsara film). Underpinned by the lore of Java in tension with Western ideologies, Burnett shapeshifts between Javanese folkloric deities and demons inherent in her ancestry as an allegory for the eternal cycle of becoming. Working with the traditional medium of pointe shoes, merged with Javanese and contemporary dance and Silat; with Kasimyn’s music blending traditional with fantastical electronic sounds, all creating a surreal world grounded in the visceral.
Choreography & performance: Juliet Widyasari Burnett
Music: Kasimyn
Producer: Michaela Coventry
The development of RORO XENO has been supported by Potato Head, Bali, Indonesia; and Performance Space and Critical Path through the Experimental Choreographic Residency 2025
CAIRAN (working title)
in development since 2025
A dance and performance art work by Juliet Widyasari Burnett and Ishvara Devati.
Ishvara Devati and Juliet Widyasari Burnett in Cairan (working title). Photo by Liz Ham
Juliet Widyasari Burnett in Cairan (working title). Photo by Liz Ham
The trans female body and the cis female body are dynamic entities from a speculative future; untethered from patriarchal history, existing as sacred objects carrying new mythologies. These bodies are not fixed. They are portals, continuously upgraded, reprogrammed, reincarnated.
In this world we are building, ancient Javanese spirituality converges with techno-fantasy aesthetics, cyberpunk and glitch distortion, and speculative artefacts. Here, desire is not only sensual but evolutionary: a driving force that transforms the body’s architecture. Bodies are organic hardware: pulsating circuits of water, blood, sweat, hormones, and ancestral data - a liquid machine secreting myths and birthing digital deities. New sacred rituals are built from uniquely female and queer codes, burying the patriarchal past. This is not a stage; it is a temple, a laboratory, and a server room: a space where mythologies are rewritten through the pulsation of flesh, machine, and collective longing.
Creation & performance: Juliet Widyasari Burnett, Ishvara Devati
Music: TBC
Costume: TBC
Producer: Michaela Coventry
Juliet Widyasari Burnett and Ishvara Devati in Cairan (working title). Photo by Liz Ham
Ishvara Devati in Cairan (working title). Photo by Liz Ham
Ishvara Devati and Juliet Widyasari Burnett in Cairan (working title). Photo by Liz Ham
The development of this project is supported by Performance Space and Critical Path’s Experimental Choreographic Residency, and the Australian Government through Creative Australia, its principal arts investment and advisory body.
We acknolwedge the Traditional Owners of the lands in which we worked, the Birrabirragal and Gadigal Peoples, and we pay our respects to their Elders past and present. Sovereignty has never been ceded.